Home2026-03-18T09:21:02-04:00

577 King Street, Jacksonville, FL 32204
904.419.9180 | contact us

Connecting Art and Community to Build Understanding, Inspire Empathy, and Spark Civic Engagement

UPCOMING PROGRAMS

Art Build for No Kings Rally
Sun | Mar 22 | 3:30-6:30pm

THIS MONTH

In addition to scheduled programs we are open:

Wednesdays 12-7PM
Saturdays 11AM-2PM

COMMUNITY ACTIONS

School Board Rally
First Tuesdays, 5-6pm, followed by School Board Meeting
Prudential Drive

Jacksonville City Council Meetings
Second and fourth Tuesdays |  5pm

CURRENT EXHIBIT

ACTIVISM

COMMUNITY CART

BUY THE MISSION

Yellow House is fully committed to giving space to artists, poets, and activists who speak truth to power, with the hope that we can be part of the change. We are grateful to all who have engaged with us, especially when it is hard, messy, and unpopular. The artists captured in this brief video are just a few of the powerful examples of members of our creative family shining a bright light

RECENT CONVERSATIONS

“Artists are the gatekeepers of truth. We are civilization’s radical voice.”
— Paul Robeson

FACEBOOK

Comments Box SVG iconsUsed for the like, share, comment, and reaction icons
04.15.26
Yellow House

‘Swing’ is the latest painting by Erin Kendrick and today is a perfect day to witness the work in person. We are here from 12-7pm.

Icky, from Erin’s Pikin Series, is captured in a moment of tension held in midair. “She swings upside down on a set of abandoned monkey bars, suspended between innocence and uncertainty. Her body arcs freely through space, evoking play and possibility, while her hands hover above the ground below. What appears at first to be barren land reveals the residue of the past. There are no trees. The ground is marked by fractured textures, unnatural color shifts, and lingering traces of toxic green, suggesting contamination beneath the surface.

This land is dangerous, but ripe for renewal.

This piece is a visual response to cultural erasure caused by development and climate pressures. It centers the body as both witness and record. Icky’s suspended posture mirrors the uncertainty faced by communities navigating environmental change without adequate protection or agency. Dressed in red-and-white striped overalls and silver metallic boots, she has visible signs of a skin condition. Blemishes revealed, not as a flaw but as evidence—her body quietly registering what the land attempts to conceal. Icky is an archive, a sensor, and a site of response, carrying the cumulative effects of historical environmental and structural conditions. Her presence makes visible what is often absorbed quietly and without acknowledgment.

‘Swing’ suggests that cultural erasure is not abstract or distant—it is experienced somatically, absorbed over time, and performed as awareness, even in spaces meant to be safe.”

Big love to @eriniscreative.co for, again, trusting us to share your powerful work.
... See MoreSee Less

‘Swing’ is the latest painting by Erin Kendrick and today is a perfect day to witness the work in person.  We are here from 12-7pm.

Icky, from Erin’s Pikin Series, is captured in a moment of tension held in midair. “She swings upside down on a set of abandoned monkey bars, suspended between innocence and uncertainty. Her body arcs freely through space, evoking play and possibility, while her hands hover above the ground below. What appears at first to be barren land reveals the residue of the past. There are no trees. The ground is marked by fractured textures, unnatural color shifts, and lingering traces of toxic green, suggesting contamination beneath the surface.

This land is dangerous, but ripe for renewal.

This piece is a visual response to cultural erasure caused by development and climate pressures. It centers the body as both witness and record. Icky’s suspended posture mirrors the uncertainty faced by communities navigating environmental change without adequate protection or agency. Dressed in red-and-white striped overalls and silver metallic boots, she has visible signs of a skin condition. Blemishes revealed, not as a flaw but as evidence—her body quietly registering what the land attempts to conceal. Icky is an archive, a sensor, and a site of response, carrying the cumulative effects of historical environmental and structural conditions.  Her presence makes visible what is often absorbed quietly and without acknowledgment.

‘Swing’ suggests that cultural erasure is not abstract or distant—it is experienced somatically, absorbed over time, and performed as awareness, even in spaces meant to be safe.”

Big love to @eriniscreative.co for, again, trusting us to share your powerful work.

KEEP IN TOUCH

CONTACT YELLOW HOUSE
Subscribe To Our Newsletter

Title

Go to Top